Emedieval House – Darkholme Keep http://darkholmekeep.net/ Fri, 17 Sep 2021 23:59:24 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://darkholmekeep.net/wp-content/uploads/2021/06/icon-7-70x70.png Emedieval House – Darkholme Keep http://darkholmekeep.net/ 32 32 Minecraft Player Shows A Beautiful Dark Void Themed Bridge https://darkholmekeep.net/minecraft-player-shows-a-beautiful-dark-void-themed-bridge/ https://darkholmekeep.net/minecraft-player-shows-a-beautiful-dark-void-themed-bridge/#respond Fri, 17 Sep 2021 20:50:00 +0000 https://darkholmekeep.net/minecraft-player-shows-a-beautiful-dark-void-themed-bridge/ A Minecraft player shows off his small-scale experimental creative version of a beautiful dark vacuum-themed bridge via Reddit. In Minecraft Creative mode, an experienced player has created a gothic bridge over an amethyst void, and the effect is impressive when seen in action. With Minecraft Caves and Cliffs Part II Update coming later this year, […]]]>

A Minecraft player shows off his small-scale experimental creative version of a beautiful dark vacuum-themed bridge via Reddit.

In Minecraft Creative mode, an experienced player has created a gothic bridge over an amethyst void, and the effect is impressive when seen in action. With Minecraft Caves and Cliffs Part II Update coming later this year, players are looking for new and inventive ways to use what they already have access to. The first half of the update released new items and monsters, but many of them can be hard to find in randomly generated worlds. The second half of the update will rework the generation of global seeds and introduce all-new biomes.

By building on a smaller scale first, Minecraft builders innovate their techniques for larger and more complex constructions later. It’s not as often that players show these smaller-scale tests before they create the final masterpiece for the internet, but every once in a while the creators seek feedback from other players first. Medieval castles, roller coasters, scenes from blockbusters, real locations that break the Fourth Wall, fully functional Redstone calculators – the sky is the limit in Minecraft.

Related: Clever Minecraft Illusion Creates An Endless Hallway

Today’s version was featured by XxChawskixX in a short clip on Reddit Minecraft subreddit. The player first hovered around the Gothic bridge, then landed before approaching to highlight the amethyst-hued void. In a comment, XxChawskixX explained that “the alternation of glass blocks with air gaps creates a fading effect which can result in some pretty cool constructions“, probably in response to the many reviewers asking how they got the effect. XxChawskixX added that this version was just the beginning, kind of a test as they experimented before creating a larger bridge and void combo. ladder.

This void effect could add an otherworldly feel to players’ fantastic builds, or even as an alternative to a real-world location. Minecraft built. A few players suggest that a texture pack like Optifine might increase the Void Fading effect, making it seem like an endless purple abyss exists below the bridge. It’s probably a nod to a combination of the End and the Nether, as there’s only darkness beneath the moon cheese of the End Dragon’s house and another crimson void when looking at it. in the Nether Portal. For those looking for voids of different hues, the poster says to look no further than the glass alternating around the air spaces. This means that this effect could easily be replicated with all glass variants in the game, and XxChawskixX added that using green glass could look like “like a poisonous gas. “

This is only the prototype, so what comes later is likely to be even more unique in appearance. Whether XxChawskixX sticks to purple or changes to another color is purely speculative, but it would be interesting to see the same effect in a combination of colors. Glass has been used in some of the more notable versions of the game (a recent example being a giant Minecraft oceanic base), and we do not know how far the builders will push this technique in the future.

Next: Minecraft: How To Trade With Piglin

Source: XxChawskixX / Reddit

The worst possible Pokémon team of each generation

The worst possible Pokémon team of each generation

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Worthplaying | ‘Conqueror’s Blade’ Season IX: Tyranny launches next week https://darkholmekeep.net/worthplaying-conquerors-blade-season-ix-tyranny-launches-next-week/ https://darkholmekeep.net/worthplaying-conquerors-blade-season-ix-tyranny-launches-next-week/#respond Thu, 16 Sep 2021 21:36:00 +0000 https://darkholmekeep.net/worthplaying-conquerors-blade-season-ix-tyranny-launches-next-week/ Booming Games’ exclusive engine, CHAOS, delivers a smooth experience, even with thousands of soldiers on screen at once, as well as authentic effects, such as fires and explosions, and various weather events, including thunderstorms and sandstorms. Incredibly detailed graphics reproduce the weapons, armor and equipment of actual medieval troops. The game requires strategic thinking and […]]]>

Booming Games’ exclusive engine, CHAOS, delivers a smooth experience, even with thousands of soldiers on screen at once, as well as authentic effects, such as fires and explosions, and various weather events, including thunderstorms and sandstorms. Incredibly detailed graphics reproduce the weapons, armor and equipment of actual medieval troops. The game requires strategic thinking and skillful use of resources, as players must deploy the best army for the coming battle from a wide selection of Eastern and Western legions, mighty generals, and thousands of weapons.

Battles take place in a vast sandbox landscape thousands of miles wide, where players seek to conquer lands and rule their own kingdom. Reflecting our own world, the terrain features high mountains, deep rivers and fierce deserts, and populated by a variety of nations and cultures. Players can acquire territory to build their own house and kingdom and fight to defend them.

Conqueror’s blade offers Match PvP, Match PvE and Big World PvPvE. Match PvP features five different battles, including a 15v15 multi-stage siege attack against a defense skirmish where the attack must take the defense flag by choosing from one or two established attack routes. In Death Match, 8v8 or 5v5 teams must kill more generals before the time runs out. Match PvE features two different battles where players escort an NPC and protect it from attacks from enemy NPCs.

In Big World PvPvE, all-out war ensues in which players compete to occupy the territory as well as the AI ​​defenders who hold it. This mode includes two Stronghold War type battles capturing the flags. Stronghold Wars offers up to 15 vs. 15 battles simultaneously. Both sides have a flag that cannot be taken at the start, as well as a neutral flag. The side that captures the neutral flag may attack the enemy side and, if successful, may occupy its flag for a limited time. Defense wins if it can protect all of its flags until the end of the game. In Stronghold Wars, generals can be revived, but not the Legion the general chooses.

Conqueror’s blade Season IX launches as a free update on September 28, bringing new armies of tyrants, a contingent of rebels, exciting new Territory Warfare upgrades, and other unique content.

The Borderlands have fallen, the population massacred, enslaved or enlisted in a terrible regime led by a monstrous tyrant. The new season features the generals stirring up a rebellion to free the Borderlands in a new seasonal campaign and prevent the world from falling into tyranny in the climactic Territory Wars at the end of the season.

For the first time, users can pre-order seasonal units in-game and through My.Games Market ahead of Season IX launch to prepare for new battles and adventures. The Battle Pass is a key to unlocking over 100 levels of rewards throughout Season IX. Rebels can earn all-new exclusive cosmetics, emotes, currency to exchange for new weapon skins, and immediately receive an exclusive set of Hero Outfits when they activate the Battle Pass on September 28.

Main characteristics:

  • Massive battles and sieges: With commanders perched on ramparts and huge trebuchets hurling flaming boulders at fighting armies, Conqueror’s Blade offers unforgettable battle landscapes and a visceral medieval combat experience. With more than 1,000 units charging the enemy at the same time, 30 commanders and their carefully chosen and seasoned troops will battle it out in an attempt to outsmart the opposition. The players are the vanguard; personally, by protecting the rams under fire from deadly arrows – all the while seeking to exploit an overly extended enemy and secure the choke points necessary to emerge victorious.
  • Medieval cultural conflicts: Capturing war at the height of medieval rivalry, Conqueror’s Blade sets up conflicts between military forces that have never crossed swords. Players will choose from ten commanders, each with their own unique fighting style and weapons. Can a Japanese nodachi withstand a clash against a Swiss halberd, and will a Hospitaller’s spear be fast enough to charge a curved Mongolian bow? The answers to age-old questions will ultimately be settled on the battlefield.
  • Conquest of an open world: The Conqueror’s Blade Theater of War is a persistent open world divided by regions with unique landscapes, resources, and cultures. Players explore the fictional and mysterious heart-shaped continent as far as their army can take them – and where skirmishes for resources are inevitable. A key task for player guilds is how to organize their commanders and plan cooperatively to conquer each region, while building and upgrading infrastructure and recruiting for the armies that will protect the spoils of war.
  • Trade and economic system: Kingdoms will wither and die without healthy trade, so set up your economy with an eye on markets and open diplomatic options: it makes all the difference between a house and an empire! Trade coins and items in the Auction House, buy basic equipment from vendors, or take risks on the black market to sell rare materials for silver or gold.

Players can register at cb.my.com and take their first steps in creating the epic saga of their empire.

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The fascinating stories of how Newport’s pubs got their name https://darkholmekeep.net/the-fascinating-stories-of-how-newports-pubs-got-their-name/ https://darkholmekeep.net/the-fascinating-stories-of-how-newports-pubs-got-their-name/#respond Thu, 16 Sep 2021 11:19:27 +0000 https://darkholmekeep.net/the-fascinating-stories-of-how-newports-pubs-got-their-name/ If there’s one thing Newport doesn’t miss out on, this is a great place to grab a drink. From medieval inns to innovative 21st-century breweries, you don’t have to walk very far to find a place to quench your thirst in the city. From the oldest to the youngest, these places are familiar to everyone […]]]>

If there’s one thing Newport doesn’t miss out on, this is a great place to grab a drink.

From medieval inns to innovative 21st-century breweries, you don’t have to walk very far to find a place to quench your thirst in the city.

From the oldest to the youngest, these places are familiar to everyone in Newport.

Read more: The huge projects planned for Gwent that never happened

While some have been around for so long that we’ve forgotten how they ended up with their name, others are so bizarre that it’s not clear how they got their name in the first place.

From The Hanbury Arms to Tiny Rebel, here are the stories that explain how some of Newport’s most famous bars got their name:

Ye Olde Murenger House

One of the most distinctive buildings in downtown Newport, this pub has a history stretching back hundreds of years.

Built in the 19th century, the current incarnation of the pub replaced a former 17th century pub, which began life as the home of the Herbert family of St Julians Manor.

Its unique name gives a clue to the physical location of the pub in the city, near the ancient medieval walls.

Newport Castle is the only part of the city’s fortified medieval walls still standing

In the Middle Ages, the job of a murenger was to collect tolls for the construction or repair of the city walls, in this case the walls of Newport Castle.

Today, although nothing remains of the medieval walls except for the castle itself, the Ye Olde Murenger House provides a clue to this long lost part of the city.

Tom Toya Lewis

Although currently on sale with question marks surrounding its future, The Tom Toya Lewis has arguably one of Newport’s most compelling pub names.

The pub commemorates Tom Lewis, a then 14-year-old newspaper delivery boy who jumped to the rescue on July 2, 1909, when support beams collapsed into the Newport docks and buried more than 40 workers below.

Tom volunteered to descend through a narrow opening in the collapsed beams to try and free a worker called Fred Bardill. He worked for two hours, 10 meters underground, with only hand tools.

Despite another landslide, Fred was released the next day and Tom Lewis was awarded the Albert Medal, Britain’s highest peacetime honor.

The high school tavern

The Lyceum Tavern, on Malpas Road, takes its name from one of Newport’s most iconic buildings that has sadly been lost in time.

The Lyceum Theater opened in 1897 and could accommodate up to 1,250 people.

The Lyceum Theater, demolished in the 1960s

His most famous performance is that of Harry Houdini in 1913, when the iconic artist gathered a crowd outside a nearby police station as he escaped from one of his cells.

The last performance of the Lyceum was in 1961, and soon after the building was demolished to make way for the ABC Cinema Today, the former theater site, on Bridge Street, houses a Travelodge and parking lot.

Little rebel

It may be one of the new names in the Newport drinking scene, but Tiny Rebel is already such an iconic name in the city that it’s almost impossible to imagine an era before it. it does not exist.

But where does the Rogerstone brewery get its name? According to founders Brad and Gazz, inspiration came to them early in their journey when Brad’s brother was visiting for Christmas.

He had just quit a job at a game development studio in California and started his own business with his wife – Tiny Rebel Studios.

The couple liked the name so much that they asked Brad’s brother if they could share it, and luckily he said yes, which means the two brothers each have their own (albeit very different) incarnations of “Tiny Rebel”.

Hanbury weapons

The Hanbury Arms is a serious contender for the pub with the longest and most compelling history in all of Newport.

A 16th-century coaching inn, this popular pub on the banks of the Usk dates back to the 13th century in its oldest parts and is famous for being one of Alfred Lord Tennyson’s favorite haunts.

Originally built by the influential Morgan family as a townhouse known as Tŷ Glyndŵr, most of the current building dates back to the 1560s.

The Hanbury family became their owners in 1720, establishing a streetcar between their steelworks in Pontypool and their riverside quay outside the building. The building became a pub around 1750 and adopted the family crest, then brewed its own beer in the 19th and 20th centuries.

The Hanburys were instrumental in establishing Pontypool as one of the centers of the Industrial Revolution in the South Wales valleys.

The first of the Hanbury family to come to Pontypool was Richard Hanbury, a banker from London. He arrived in the rural landscape of Trevethin in 1577 to install iron kilns in the area due to its vast wealth of natural resources, although he never lived in Wales.

His grandson, Major John Hanbury, was the first of the family to settle in the area, completing construction of Pontypool Park House in 1694.

The prayer

Caerleon Priory has one of the longest histories of any building in Newport.

Legend has it that the site dates back to a 6th century monastery, hence its name.

However, the first part of the current structure dates back to the 1500s.

At that time, the building belonged to a branch of the Morgan family. In the 18th century, Mary Morgan renovated the building and gave it the Gothic look it has today.

Blaina wharf

The Newport Docks opened in 1842 to transport resources from the surrounding valleys to the rest of the world. In the decades to come, commerce via the docks increased to the point that there was no alternative but to expand, and the Alexandra Docks were opened in 1875.

Ships and cranes in Newport docks in the 1960s

The owners of the new wharf, the Alexandra Docks and Railway Company, already owned the Blaina Wharf on the west side of Usk, which was used to ship iron and coal from the Gwent valleys to the rest of the world.

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The Frist Art Museum holds the first major exhibition in the United States devoted to medieval art in Bologna https://darkholmekeep.net/the-frist-art-museum-holds-the-first-major-exhibition-in-the-united-states-devoted-to-medieval-art-in-bologna/ https://darkholmekeep.net/the-frist-art-museum-holds-the-first-major-exhibition-in-the-united-states-devoted-to-medieval-art-in-bologna/#respond Tue, 14 Sep 2021 15:11:00 +0000 https://darkholmekeep.net/the-frist-art-museum-holds-the-first-major-exhibition-in-the-united-states-devoted-to-medieval-art-in-bologna/ Medieval Bologna: Art for a University City November 5, 2021 – January 30, 2022 NASHVILLE, Tennessee., September 14, 2021 / PRNewswire / – The Frist Art Museum presents Medieval Bologna: art for one University town, the first major museum exhibition of United States focus on medieval art made in the prosperous city of Bologna, in […]]]>

Medieval Bologna: Art for a University City November 5, 2021 – January 30, 2022

NASHVILLE, Tennessee., September 14, 2021 / PRNewswire / – The Frist Art Museum presents Medieval Bologna: art for one University town, the first major museum exhibition of United States focus on medieval art made in the prosperous city of Bologna, in northern Italy. Designed and curated by the senior curator of the Frist Art Museum Trinita kennedy, the exhibition of illuminated manuscripts, paintings and sculptures will be presented in the upper galleries of the Frist from November 5, 2021, through January 30, 2022.

Nerio (active at the end of the 13th and the beginning of the 14th century). Clipping from a choir book (antiphonal): Easter Scenes: The Three Maries at the Tomb with the Angel of the Resurrection, and The Risen Christ Appearing to the Three Marys (in the initial A), ca. 1315. Tempera, gold and ink on parchment, 9 3/8 x 9 3/8 in. The Metropolitan Museum of Art, New York, New York, Rogers Fund, 12.56.1

The nearly 70 objects in the exhibition span from 1230 to 1400, from the first great flowering of manuscript illumination in Bologna to the beginnings of the construction and decoration of the ambitious Basilica of San Petronio in Piazza Maggiore. from the city. On display are numerous illuminated law books, fascinating for their distinctive layout and iconography, as well as for their remarkable size and weight. The works come mainly from American libraries, museums and private collections, including the J. Paul Getty Museum, the Library of Congress, the Metropolitan Museum of Art, the National Gallery of Art, the New York Public Library and Princeton University Library. Loans are also sought from the Museo Civico Medievale in Bologna.

The exhibition explores how medieval Bologna, with its porticoed streets, towers, communal buildings, main square and mendicant churches, became a center of higher education in the late Middle Ages. Home to the oldest university in Europe, Bologna has fostered a unique artistic culture with its large population of discerning readers. The city became the preeminent center of manuscript production south of the Alps, and it helped spark a revolution in the medieval book trade. The manuscripts circulated in a thriving market of scribes, illuminators, booksellers, and patrons mostly operating outside the traditional monastic scriptoria. The university first specialized in law, and many law books have been illuminated in Bologna with vivid tales. The teachers enjoyed high social status and were buried in impressive stone tombs carved with class scenes.

A highly respected curator of medieval and Renaissance art, Kennedy also curated the award-winning exhibition Holiness in pictures: the art of the Dominican and Franciscan orders in Renaissance Italy, exhibited at Frist in 2014-15, and edited the accompanying catalog of the same title. The research that emerged from the exhibition served as the basis for an honorary seminar at Tulane University.

Exhibition catalog
The exhibition is accompanied by a richly illustrated 256-page hardcover catalog entitled Medieval Bologna: art for one University town, published by Paul Holberton Publishing (London). Edited by the Principal Curator of the Frist Art Museum Trinita kennedy, the publication comprises seven essays and is the first major study in English of the illumination, painting and sculpture of manuscripts in Bologna between the years 1200 and 1400. The essays, written by academics, a curator, curators and a museum educator, create a rich context for the works in the exhibition, many of which have never been studied in depth or published before. The book aims to broaden our understanding of art and its purposes in the medieval world.

The authors describe the process of making books in Bologna, including the pigments used by illuminators. They also evoke the illustrious foreign artists called to work in the city, in particular Cimabue and Giotto; the devastating impact of the bubonic plague; and the political resurgence of Bologna at the end of the 14th century which led to the construction of the Basilica of San Petronio, one of the largest churches in the world, in honor of the city’s patron saint.

In addition to Trinita kennedy, the contributors to the catalog are Lyle humphrey, Associate Curator of European Art History and Collections, North Carolina Museum of Art; Bryan C. Keene, assistant professor, Riverside College of the City; Susan L’Engle, professor emeritus, Saint-Louis University; Marina d’Areli, Associate Professor, University of Kansas; Michael Byron Norris, retired museum professor, Metropolitan Museum of Art; and Nancy K. Turner, Curator of Manuscripts, Department of Paper Conservation, The J. Paul Getty Museum.

The catalog will be available for purchase in the Frist Art Museum gift shop and from bookstores in October 2021.

Thursday November 11
Curator’s Perspective: Art and Learning in Medieval Bologna Presented by Trinita kennedy, main curator
6:00 p.m.

Featured on Zoom
To free; registration required.

Thursday January 13
Bologna Redux: A Fresh Look at the Beginnings of Legal Manuscript Illumination presented by Susan L’Engle, Professor Emeritus, Saint Louis University

6:00 p.m.

First auditorium

Exhibition credit
Organized by the Frist Art Museum

Thank you from the supporters
The exhibition was made possible in part by NEA Art Works, the Anne and Joe Russell family, the Samuel H. Kress Foundation, the Robert Lehman Foundation and members of the Frist’s Picasso Circle.

The exhibition catalog is published with the support of the Gladys Krieble Delmas Foundation and additionally: a program of the JM Kaplan Fund, with additional support from the Samuel H. Kress Foundation and NEA Art Works.

The Frist Art Museum is supported in part by the Frist Foundation, the Metro Nashville Arts Commission, the Tennessee Arts Commission, and the National Endowment for the Arts.

Learn more about Frist’s health and safety procedures.

Connect with us @FristArtMuseum #TheFrist #BolognaAtTheFrist

About the Frist Art Museum
Accredited by the American Alliance of Museums, the Frist Art Museum is a non-profit 501 (c) (3) art exhibition center dedicated to presenting and creating high-quality exhibitions with programs educational and related community outreach activities. Located at 919 Broadway in downtown Nashville, Tenn., The Frist Art Museum features the best visual art from local, regional, national and international sources in exhibits that inspire people through art to look at their world of art. ‘a new way. Accessibility information can be found at FristArtMuseum.org/accessibility. Entrance to the gallery is free for visitors 18 and under and for members, and $ 15 for adults. For current hours and additional information, visit FristArtMuseum.org or call 615.244.3340.

Frist Art Museum (PRNewsfoto / Frist Center for the Visual Arts)

Frist Art Museum (PRNewsfoto / Frist Center for the Visual Arts)



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Duel of knights, a mule and MeToo in Damon’s new movie, Affleck https://darkholmekeep.net/duel-of-knights-a-mule-and-metoo-in-damons-new-movie-affleck/ https://darkholmekeep.net/duel-of-knights-a-mule-and-metoo-in-damons-new-movie-affleck/#respond Fri, 10 Sep 2021 21:22:30 +0000 https://darkholmekeep.net/duel-of-knights-a-mule-and-metoo-in-damons-new-movie-affleck/ The fact that a nobleman lied about the rape is the catalyst for a bloody duel to the death between medieval nobles in Ridley Scott’s new film starring Matt Damon and Ben Affleck. “The Last Duel”, which is loosely based on real events, is both an action film and a commentary on sexual politics, as […]]]>

The fact that a nobleman lied about the rape is the catalyst for a bloody duel to the death between medieval nobles in Ridley Scott’s new film starring Matt Damon and Ben Affleck.

“The Last Duel”, which is loosely based on real events, is both an action film and a commentary on sexual politics, as it searches for vestiges of contemporary MeToo sensibility in 14th century France. , where a woman accused her husband’s friend and courtier colleague of rape.

Damon, Affleck and Nicole Holofcener’s high-profile casting and writing team didn’t spare the film some negative early reviews, however.

“A star-studded cast and horribly gruesome hair cannot save Ridley Scott’s medieval epic,” wrote The Guardian, with Variety calling the film a “medieval soap opera.”

Speaking to reporters ahead of the film’s premiere Friday at the Venice Film Festival, Affleck said he found the story of a young wife who denounces the rape “important and powerful”.

“I consider myself a feminist and I think I was most passionate about this movie because of the character of Marguerite, her extraordinary strength and bravery,” Affleck said.

“To have someone who has suffered a great injustice and who goes to great lengths to seek justice at the risk of his life.”

Damon, sporting a mule and in need of a good scrub, plays Jean de Carrouges, a knight who defends his wife’s word – and his own honor – through a bloody duel. If he didn’t lie about the allegations made against his friend, God will protect him, the king said.

– Clicking armor –

“I’ll support you,” De Carrouges says at the start of the film as he gallops on his horse in war, one of many stock dialogues that hammer out the evils of patriarchy with little nuance.

The film, writes The Hollywood Reporter, includes “a lot of submission to contemporary sensibilities, often bordering on didacticism as the script touches on points of patriarchal privilege and victim blame.”

Key scenes, including rape, are shown three times, depicting the three divergent perspectives of De Carrouges, his nemesis Jacques LeGris (Adam Driver) and Marguerite (Jodie Comer), and highlighting the inability of male characters to see their actions clearly.

Affleck said he wanted to write a film that highlighted the mainstream Western culture which “has not viewed women for centuries as human beings.”

“And of course, many vestigial aspects of that perspective remain.”

In what appears to be a nod to the public at the excesses of his own celebrity past, Affleck plays a feminist and drinker lord who grants donations of land to sycophant LeGris at the expense of De Carrouges.

But the serious themes of sexual assault and female subjugation come across as a façade given the film’s obvious taste for action sequences, where swords clashing, clattering armor, and body-fighting. melee reminiscent of Ridley’s 2000 blockbuster “Gladiator” were not spared.

“The Last Duel” did not respond to historical accuracy, admitted Damon.

“There’s a recording of what happened, but what was so uncreative is that Ridley was like, ‘We don’t do anything with this shit.'”

am / spm

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The real story of the impact of COVID on regional QLD galleries https://darkholmekeep.net/the-real-story-of-the-impact-of-covid-on-regional-qld-galleries/ https://darkholmekeep.net/the-real-story-of-the-impact-of-covid-on-regional-qld-galleries/#respond Tue, 07 Sep 2021 21:00:59 +0000 https://darkholmekeep.net/the-real-story-of-the-impact-of-covid-on-regional-qld-galleries/ One thing we have learned about this pandemic is that its impact is uneven. A clear illustration of this is the Queensland museum and gallery sector. While this state hasn’t faced blockages like Victoria and NSW, its tourism experiences have presented their own challenges. ArtsHub met Rebekah Butler, Executive Director of Museums & Galleries Queensland […]]]>

One thing we have learned about this pandemic is that its impact is uneven.

A clear illustration of this is the Queensland museum and gallery sector. While this state hasn’t faced blockages like Victoria and NSW, its tourism experiences have presented their own challenges.

ArtsHub met Rebekah Butler, Executive Director of Museums & Galleries Queensland (M&G QLD), who said “times have not been easy for our industry”.


While Butler remained supported by the ability of Queensland museums and galleries to adapt to new working practices and develop new initiatives to support their communities, she said that “visitor confidence has been affected in many communities “.

“A lot of visitors don’t feel comfortable going back to the premises,” she explained. And while “some museums and galleries have anecdotally reported increases in retail sales…

Butler continued that one of the biggest concerns is “pivot fatigue” across the industry, as well as the pressures of increased delivery to resource-constrained sites as domestic tourism has increased, in some. triple case.

She warned that “staff workload has increased exponentially due to the need to respond to instant lockouts, changing health guidelines and occupant density rules.”


Domestic tourism across the country has skyrocketed over the past year and some arts organizations, particularly QLD inland, have seen record numbers of tourists.

But with this apparent success comes apprehension, as the record number of visitors has not been matched by the record workers to serve them. Daily visits in some cases have tripled, but these small galleries and museums are still run by the same number of volunteers.

The Mount Isa Underground Hospital and Museum are feeling the impact of increased tourism on volunteers. Image provided.

The volunteer-run Mount Isa underground hospital and museum, which saw a record number of visits in 2021, is a case in point.

Erica Shaw, Mt Isa Volunteer Coordinator, said: “The museum has grown from two volunteers present to four at all times, as the museum visit is a guided experience. Many older volunteers have chosen not to return after COVID, which puts additional pressure on current volunteers.

“The Museum cannot keep up with recruiting and training volunteers quickly enough to meet the volume of visitors,” Shaw continued.

“Visitors appear to be tourists on ‘long trips’ and staying in regional and remote areas of Australia in order to avoid COVID hot spots,” she said.

Read: Regional artistic audiences evolve with the pandemic

Butler added that “funding to help develop audio-visual accompaniments, which could relieve current volunteers,” was one way to make these fluctuations and pressures more manageable, but that depends on government investment.

Unlike Mount Isa, Cairns – which before COVID attracted more than 2.7 million tourists a year – is struggling, not only because of the halt in international travel, but also the impact of the border closures by the states.

Dr Jonathan McBurnie, Creative Director, Townsville City Galleries, reported that “Since the pandemic, the overall numbers have been dropping. On average, current visits are about 1/3 of what they were before COVID (a 66% decrease).

But in a glimmer of good news, the Cairns Museum reports that school visits to their space have increased significantly.

“It was an unexpected result, but a positive one. Schools from places like South East QLD that traditionally traveled between states on school trips went to Cairns instead, ”the museum said.


But it’s not just about the number of people, the dollar numbers are the key to this story as well.

Butler explained, “Some museums and galleries have anecdotally reported increases in retail sales. Although people may not be able to travel, they still want to spend money and do so locally – they are looking for tailor-made gifts that are not commercially available.

“In contrast, others in our industry are reporting significant revenue losses due to the decline in retail and trade activities,” she continued.

The Abbey Museum of Art and Archeology, located in Caboolture, is a unique collection comprising the largest collection of stained glass and painted in Australia, as well as prehistoric objects, ceramics, ironwork, woodwork, sculptures, rare books, paintings and frescoes from the Renaissance and Baroque periods.

To support its operations, it presents the Abbey Medieval Festival each winter – Australia’s largest celebration of medieval arts and culture attracting over 800 medieval reenactors, jousters, musicians, actors and street performers.

Medieval Abbey Festival, 2019. hoto Brett Croese.

Around 30,000 visitors from across Australia typically attend, contributing more than $ 2 million to the economy of the Moreton Bay area. But the festival had to be canceled for a second consecutive year in 2021, one week before delivery.

“The organization’s staffing levels have been affected. In particular, their paid manager is now working on a voluntary basis, which is not sustainable, ”said Butler.

“To its credit, the abbey has implemented many innovative fundraising initiatives in an attempt to recoup their lost income, but additional support is urgently needed.”


Butler warned that overall, support is desperately needed, especially for the volunteers in this space. “Many volunteers have not returned to their volunteer roles after last year’s major lockdown or, when volunteers have returned to the workplace, they feel more comfortable doing return duties. the House.”

“The sector depends on volunteers, but many don’t feel comfortable returning to places where people come and go frequently.”

Rebecca Butler.

She also notes that “programs need to be redesigned; visitor expectations must be managed; communications and messages need to be continuously updated – this takes a lot of resources and keeping pace with these pressures has negative consequences for people’s mental health and well-being.

“The government has focused on jobs,” she continued. “Which is important, but so are volunteers in the area and creating safe environments for them to return to work.”

“The small to medium-sized public museums and galleries sector is in urgent need of operational support for expenses such as staff, overhead and programming,” she continued. “Expenses that pre-COVID would be covered by an organization’s income-generating activities.”

Butler therefore argues that “the local government [who often manage these small-to-medium galleries] should be included in all funding programs. ‘

She observed that “there is greater financial support for the performing arts and music industries, and while there is no question that this support is essential to sustaining the performing arts sector, there is. a disorder “.

Data from Museums & Galleries QLD’s 2019 Annual Statistical Survey shows that overall, Queensland’s public galleries supported around 8,000 living artists that year.

“So supporting our industry, supporting our artists,” said Butler.

In Queensland, there are around 300 collections run by organizations run by volunteers. Many of these collections contain elements of national, national and, in some cases, international importance.

Read: Frontline pressure points are different for the regional arts sector

But one organization that has already closed is the volunteer-run association Adderton: House and Heart of Mercy, closed to the public on Sunday September 5, 2021.

Museums & Galleries Queensland is doing what it can to help the sector in need, partnering with the Australian Museums and Galleries Association to deliver the $ 3 million grants program for culture, heritage and the arts regional tourism (CHART). But in the end, Rebekah Butler believes that additional government funding is needed to help the sustainability of the sector to emerge from the pandemic.

In the meantime, the CHART grant program will allow organizations to apply for up to $ 3,000 in 2021-2022 to support community arts organizations such as local museums and galleries as well as historical societies.

“We hope there will be a strong scope of applications from Queensland,” she said.

Gina Fairley is the National Visual Arts Editor for ArtsHub. For a decade, she worked as a freelance writer and curator throughout Southeast Asia and was previously the regional editor for the Hong Kong-based magazines Asian Art News and World Sculpture News. Prior to writing, she worked as an artistic director in America and Australia for 14 years, including in regional galleries, biennials and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

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Dune review: Stirring sci-fi epic ends too soon, and it’s good and bad https://darkholmekeep.net/dune-review-stirring-sci-fi-epic-ends-too-soon-and-its-good-and-bad/ https://darkholmekeep.net/dune-review-stirring-sci-fi-epic-ends-too-soon-and-its-good-and-bad/#respond Fri, 03 Sep 2021 21:55:00 +0000 https://darkholmekeep.net/dune-review-stirring-sci-fi-epic-ends-too-soon-and-its-good-and-bad/ Timothée Chalamet is on the front page of the new 2021 version of Dune (and its sequel, hopefully). Warner Bros. The Dune saga is as intriguing and ambiguous as the quicksand of the desert. So it’s fitting that a new star-studded film adaptation is both hugely satisfying and deeply frustrating at the same time. This […]]]>

Timothée Chalamet is on the front page of the new 2021 version of Dune (and its sequel, hopefully).

Warner Bros.

The Dune saga is as intriguing and ambiguous as the quicksand of the desert. So it’s fitting that a new star-studded film adaptation is both hugely satisfying and deeply frustrating at the same time. This Dune 2021 is a cinematic sci-fi tour de force, a starry yet deeply bizarre fantasy epic, a thoughtful and thrilling cinematic experience.

Then it stops right in the middle.

Directed by Denis Villenueve, this new version of Frank Herbert’s 1965 novel opens with a title that reads “Dune: Part One”. It’s the first sign that the movie isn’t going to give you much closure. Instead, it’s chock-full of ideas and stunning visuals and information by the spaceship charge, all to set up a story that just begins when the credits roll out of nowhere.

Premiering at the Venice Film Festival on Friday, Dune is in theaters October 22. It will also be released the same day on the HBO Max streaming service and will be available to stream at home for a month.

The powerful Atreides and Harkonnen families are aristocrats of space who vie for the planet Arrakis, a desert world where the only thing more treacherous than quicksand is stabbing politics. Arrakis is the only source of spice, a substance that serves as fuel for space travel in the dune universe. In Arrakis, the spices shine in the very air, a wealth so intoxicating that one can taste them.

Spice has a mysterious attraction to Timothée Chalamet’s young prince, Paul Atreides. He has a lot to do: his father (Oscar Isaac) is a duke of integrity who teaches him to play the game of cosmic realpolitik; her mother (Rebecca Ferguson) is an overpowered space witch; he is plagued by excited teenage dreams of a blue-eyed desert warrior (Zendaya); and he just might be an intergalactic messiah.

Paul is at the heart of this thrilling space epic, which combines the intrigue of the Shakespearean castle with panoramic desert views, incendiary battle scenes and a cast of billions. In Villeneuve’s hands, this version of Dune is a richly detailed and extremely evocative imagination filled with striking imagery. It is extremely strange and winning.

The film juxtaposes feverish science-fantasy and medieval imagery: sinister space nuns in puffy robes descend from menacing spaceships; Interplanetary treaties are endorsed by wax seals under floating banners; Berserk armies sacrifice blood before donning silent jetpacks. These are faceless helmets and deep shadows as the action shifts from rain-slipped granite to quicksand, to a hypnotic and thrilling Hans Zimmer score of lamentable choirs, electric drones, nervous percussion and great bwaarrrrps. honked. And bagpipes.

Rebecca Ferguson and Oscar Isaac are concerned parents in Dune.

Warner Bros.

The rain-stricken homeworld of the Atreides vertical house is perfect for pacing up and down the wave-battered cliffs. The vaguely Catholic setting of this world includes a bullfighting motif, which suggests two distinct but intertwined themes: a reckless fight against an unpredictable adversary and a connection to Spain reminiscent of the Spanish conquistadors of old.

This connection with the ancient invaders highlights the timelessness of the urge to conquer and enslave, drawing a line from the past to the present. Dune’s theme of plundering the desert’s resources has always resonated with Western manipulation and exploitation of the rest of the world, from the bygone days of colonialism to the Gulf War and the War on Terror. The conflict is explicitly grounded by Villeneuve and cinematographer Greig Fraser in the visual style of a modern war film. Dragonfly-like planes fly past the camera like Vietnamese-era gunships as the air fills with distinctly 20th-century radio chatter. All that’s missing is Ride of the Valkyries on the soundtrack as Dune streams fight movies from Apocalypse Now to Lawrence of Arabia at Black Hawk Down.

The film opens with an army suddenly withdrawing from Arrakis, and it’s a chilling picture in light of the chaotic U.S. withdrawal from Afghanistan in recent weeks.

“Arrakis saw men like you come and go,” said a native. “Who will be our next oppressor? asks the world-weary narrator.

The conflict is explicitly motivated by wealth, and it’s fascinating to watch a sci-fi film tackle the economics of politics as well as the familiar interplanetary power struggles of Star Wars and Star Trek. House Atreides may be noble and Harkonnen venal, but their nature is irrelevant in this galactic economy: no matter what they think about it, they must meet their quotas. Space capitalism!

However, this is not a controversy. There are so many ideas flying in this movie that many are only mentioned once, and you are invited to develop your own thoughts on inequality, resource scarcity, climate crisis, war, feudalism. , space travel, dreams, parenthood, oneness with nature, and much more. As if that weren’t enough to think about, everything is wrapped up in a dense tradition of several languages ​​and strange terminology, which means multiple voiceovers explaining everything.

The weirdness of science fiction is also based on a limited range of colors on the screen. Beyond the darkness of space, the only colors in this universe are gray and beige. Don’t get me wrong, Dune looks great, but aside from the fantastic design, the muted palette is almost dull.

Rebecca Ferguson gets weird in Dune.

Warner Bros.

The acting is also silent: everyone is impassive and solemn and mutters the often incomprehensible dialogue in low voices. Like Villeneuve’s previous films, it’s dramatic and intense. But it’s also more of a note, allowing Jason Momoa to stand out, for example, just by showing he’s having fun. The most dynamic lineup comes from Ferguson as the matriarch of the conflicted Atreids, embodying the emotional turmoil of a character who is both a passionate mother and an intriguing fanatic.

As for the actor in the lead role, Chalamet’s moving cheekbones and eyes do most of the storytelling. Like Ryan Gosling in Blade Runner 2049, he doesn’t have much to say, which makes his character either seductively ambiguous or vaguely defined. Is he conscientious or distracted? Is he a reluctant leader or an ambitious conspirator?

The young prince is troubled by visions of the future, and they are also disturbing to the viewer. Some of these visions turn into a sequel and frankly sound more exciting than some of the endless streaks in Part One. With such an abrupt ending begging for a sequel, you might wonder if they shot the two films together. No: the the suite could go into production at the end of 2022 – and only if this first film is a success, which is far from guaranteed in the face of a pandemic and a streaming release potentially cannibalizing its box office revenues.

If you liked Arrival and Blade Runner 2049, then Dune may be Denis Villeneuve to its Villeneuviest. If you like to sweep military sci-fi with a touch of weirdness, Dune will be your jam. The palette and muted performance won’t be to everyone’s liking, but I could spend a lot more time in this world – when the sequel finally arrives, anyway. Even if it doesn’t offer much ending, this new Dune is a hell of a start.

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13 fun things to do in Warwickshire https://darkholmekeep.net/13-fun-things-to-do-in-warwickshire/ https://darkholmekeep.net/13-fun-things-to-do-in-warwickshire/#respond Tue, 31 Aug 2021 23:35:04 +0000 https://darkholmekeep.net/13-fun-things-to-do-in-warwickshire/ Warwickshire is a place steeped in history and mythology. The origins of the town of Warwick date back to 914 AD when it was founded as a defense against Danish invaders by none other than thelflaed , the daughter of King Alfred the Great. Warwick and its historic buildings have served as the backdrop for […]]]>

Warwickshire is a place steeped in history and mythology.

The origins of the town of Warwick date back to 914 AD when it was founded as a defense against Danish invaders by none other than thelflaed , the daughter of King Alfred the Great.

Warwick and its historic buildings have served as the backdrop for many popular TV series and movies, such as Dr Who, Pride and Prejudice, A Christmas Carol and Dangerfield.

Read more – 30 awesome things to do in Stratford-upon-Avon

Many of the city’s central streets were destroyed by the great fire of 1694 and had to be rebuilt in the 18th century.

However, several important medieval buildings survived the fire and can be seen today, such as the Lord Leycester Hospital and the half-timbered buildings around Oken’s house.

You can find out all about the best things to do this summer on the Brummie Mummies podcast on Spotify and Apple Podcasts.

Here are some of our favorite attractions in Warwickshire. Make sure to check opening hours and book in advance if necessary to avoid disappointment.

1. Warwick Castle

You can explore over 1,100 years of history, magic, myth and adventure at Warwick Castle.

It is one of the most spectacular and complete medieval castles in the country. It has been permanently inhabited since the Middle Ages and was the home of the Earls of Warwick until recently.

There are towers, walls, battlements, and dungeons to explore, as well as 64 acres of beautiful grounds and gardens, including a courtyard and peacock garden.

Warwick Castle is also home to the UK’s largest bird of prey show, a maze of gruesome tales and a knight’s village for overnight glamping.

He’s part of the Merlin Entertainments group, which means you can often get discounted tickets through Kellogg’s cereal and snack packs. Find out more and book your tickets here

Warwick CV34 4QU

Historic Warwick Castle

2. Kenilworth Castle and Elizabethan Garden

Nearby Kenilworth Castle is one of Britain’s greatest historic sites. Families can enjoy the freedom to explore what was once a vast medieval fortress and imagine the majesty of the Great Hall.

Once an Elizabethan palace, you can go back some 900 years of history and walk in the footsteps of Queen Elizabeth 1 by exploring Leicester’s Building. Climb 18 meters to the full height of the tower Leicester built to woo Elizabeth I and enjoy the same spectacular views she enjoyed.

There’s also the Castle Keep and Leicester’s Gatehouse to explore, as well as the authentically recreated Elizabethan Garden at this English heritage attraction. Find out more and book your tickets here

Castle Green, Kenilworth CV8 1NG

The impressive Leicester’s Gatehouse at Kenilworth Castle

3. The Hatton Adventure World

This 100 hectare site is home to more than 450 creatures, large and small, 60 different breeds and species, and offers more than 30 shows and activities every day during school holidays and weekends.

There is a farmyard, a JCB track, a falconry center, a Grand National sheep race, pony rides, a funfair, trampolines, an obstacle course, Laser Combat, a guinea pig village and much more. Moreover. Some activities are seasonal, so it’s best to check in advance.

You can also pick your own fruits, vegetables and flowers and go shopping in the shopping village. Learn more and book here

Dark Lane, Hatton, Warwick CV35 8XA

Bruce the Baby Goat at Hatton Adventure World

Bruce the Baby Goat at Hatton Adventure World

4. British Automobile Museum

It is home to the world’s largest collection of historic British cars.

The British Motor Museum is home to over 300 classic British cars, celebrating the past, present and future of British motoring.

You can learn about the people behind the cars and the places where they were built, and participate in interactive family activities. There is also a cafe and an outdoor playground. Learn more and book here

Banbury Road, Gaydon, Lighthorne Heath, Warwick CV35 0BJ

The welcome gallery of the British Motor Museum

The Welcome Gallery at the British Motor Museum in Warwickshire

5. Saint-Nicolas Park

There is something for everyone at St Nicholas Park, which has its own exhibition center, skate park and large playground.

In summer, you can swim in the outdoor swimming pool and / or rent pedal boats, rowboats, kayaks and canoes at the nautical base

The lawns and gardens are ideal for a stroll, and there are designated picnic areas as well as a tea room serving snacks, meals, and drinks.

St Nicholas Park Leisure Center has an indoor swimming pool, badminton courts, climbing wall and tennis courts.

Warwick CV34 4QY

6. Golden Putter Mini-Golf

There is a Golden Putter mini golf course at St Nicholas Park which is fun for families.

Face tunnels, rocks, bumps, tight turns and cliffhangers while trying to get the highest score. Learn more here

Warwick CV34 4QY

7. Royal Shakespeare Theater

Stratford-upon-Avon is best known for its legendary playwright William Shakespeare, who wrote classics like Hamlet, Midsummer Night’s Dream and The Tempest.

It is worth going to see a play performed by the famous Royal Shakespeare Company (RSC) and you can also take a tour of the theater or have lunch in its rooftop restaurant.

Throughout the holidays there are often craft and music workshops, pop-up shows and costume exhibitions. Learn more here

Waterfront, Stratford-upon-Avon

8. Shakespeare’s birthplace

Did you know that you can visit the house where Shakespeare was born and raised?

Discover the rooms where he imagined all these pieces and where he spent the first five years of his married life with Anne Hathaway.

There are exhibits, costumed guides, and live performances, as well as a gift shop, cafe, and garden. Learn more and book here

Henley Street, Stratford-upon-Avon, CV37 6QW

Shakespeare's birthplace in Stratford-upon-Avon

Shakespeare’s birthplace

9. Ragley Room

There is plenty for families to do at Ragley Hall in Alcester.

From adventure playgrounds to 3D maze, woodland walks and boating on Ragley Lake, there is plenty to spend an enjoyable afternoon, especially if the sun is shining.

Ragley, Alcester

10. The MAD museum

Described as “a mix of Wallis and Gromit, Heath Robinson and Scrapheap Challenge”, this museum offers the whole family a chance to experience and interact with machines.

MAD stands for Mechanical Art and Design and you can expect ball tracks, high tech robots and complex moving machinery.

It’s said to be the only specialist attraction of its kind in the UK and is also said to be home to a wacky gift shop.

Henley Street, Stratford-upon-Avon, CV37 6PT

The MAD Museum in Stratford-on-Avon

The MAD Museum in Stratford-on-Avon

11. Abbey Fields Playground

There is much to discover at Abbey Fields Play Park, located in the Finham Valley with views of the historic town, castle and church.

You can walk around the pretty lake and in the wildflower meadow, and the kids can play in the playground.

The outdoor pool normally open in the summer is unfortunately closed, but there is an indoor pool as well as five tennis courts and a Trim Trail outdoor gym.

Bridge Street, Kenilworth, Warwickshire, CV8 1BP

12. Magic alley

This magical attraction and emporium offers an enchanted treasure trail where families can “explore a world filled with wizards, dragons, fairies, time travelers and pirates” with a pony-sized unicorn!

You’ll also find spells and wands, brooms, hatching dragon eggs, a self-written magic book, and a life-size animatronic bust of William Shakespeare.

And, to top it off, you can pick up a “take out potion” at the Golden Broomstick Butter Beer Bar. Find out more here. Christmas at Magic Alley is especially special – read our review here

Bell Court Shopping Center, Stratford-upon-Avon CV37 6EX

Unicorn at Magic Alley

Unicorn at Magic Alley

13. Anne Hathaway’s chalet

This thatched-roof farmhouse was the childhood home of Shakespeare’s wife and has beautiful gardens.

It’s in Shottery, and you can follow a well-marked trail to access it on foot from Stratford-upon-Avon town center.

There are also forest walks, a sculpture trail, and a family activity tent that runs from April to October.

You can also have traditional afternoon tea in the garden cafe.

Cottage Lane, Shottery, Stratford-upon-Avon, CV37 9HH

There are lots of great things to do with children in the Midlands. To stay up to date, follow our Brummie Mummies Facebook page, sign up for our weekly newsletter and listen to our Brummie Mummies podcast

What is your favorite place in Warwickshire? Tell us in the comments below

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Battle for the future of the discounted German version of Camp David – POLITICO https://darkholmekeep.net/battle-for-the-future-of-the-discounted-german-version-of-camp-david-politico/ https://darkholmekeep.net/battle-for-the-future-of-the-discounted-german-version-of-camp-david-politico/#respond Mon, 30 Aug 2021 02:01:48 +0000 https://darkholmekeep.net/battle-for-the-future-of-the-discounted-german-version-of-camp-david-politico/ MESEBERG, Germany – The French own Fort de Brégançon, a spectacular medieval citadel on a Mediterranean islet. Americans have Camp David, a sprawling retreat that former presidents called “Shangri-La” for its secluded mountain beauty. The Germans have Meseberg. Haven’t you heard of Meseberg? You’re not alone. Formal retreats often perform a critical function, allowing world […]]]>

MESEBERG, Germany – The French own Fort de Brégançon, a spectacular medieval citadel on a Mediterranean islet. Americans have Camp David, a sprawling retreat that former presidents called “Shangri-La” for its secluded mountain beauty. The Germans have Meseberg.

Haven’t you heard of Meseberg? You’re not alone.

Formal retreats often perform a critical function, allowing world leaders to escape the noise and bustle of their capitals to reflect on big decisions or to welcome foreign leaders in a relaxed setting where deep conversations sometimes lead to disagreements. historic agreements. Camp David was the place where the Normandy invasion was partly planned, where Eisenhower and Khrushchev met, where Israeli and Egyptian leaders agreed to make peace.

The official retreat of the German Chancellor – Schloss Meseberg – an 18th-century Baroque castle located in a small village of 150 inhabitants in the countryside north of Berlin, does not have the same weight.

The castle by the lake, with its majestic columns and its high mansard roof, is undoubtedly a beautiful residence. But in a country renowned for its breathtaking castles, the Schloss stands out for its relative simplicity.

It was exactly the intention. Berlin wanted a formal retirement that reflected the modest ethics of its leaders. (Chancellor Angela Merkel, after all, is known to do much of her own grocery shopping in supermarkets.) In a country uncomfortable with the notion of its own world power, such humility also suits the self-image of Germany as a modest geopolitical actor.

Hans Heinrich von Srbik, chairman of the Messerschmitt Stiftung, a foundation that protects historic buildings and owns Meseberg Castle, put it succinctly in a recent phone interview: “Meseberg was handsome enough for Germany and not as pompous as the French. [residences], which would not have suited us.

Yet some in Germany are wondering, given the sheer expense involved in sustaining retirement and the lack of importance attached to it, whether it’s worth keeping the lights on – voices that could get louder. once Merkel’s successor decides what to do with Meseberg.

An unpretentious choice

The Messerschmitt Stiftung was founded in 1969 by Willy Messerschmitt, an aircraft manufacturer with a complicated heritage: he is best known for the Nazi warplanes he built during World War II, using forced labor. Its foundation spotted the castle for the first time after the fall of the Berlin Wall, when the structure – like many others in former East Germany – was neglected and dilapidated. The foundation finally undertook a multi-million euro renovation.

The official government retreat before German reunification had been Petersberg – a luxury hotel in the mountains south-east of the West German capital, Bonn. The restoration of Berlin as the capital, however, meant that a retreat closer to home was needed. So in 2004, just a year before Merkel came to power, the government struck an agreement to lease Meseberg Castle for 20 years at the symbolic price of € 1.

Meseberg was never designed to offer all of the luxurious features often appreciated by other world leaders: there is no swimming pool, no golf course, no tennis court.

While this is the kind of simplicity Merkel seems to enjoy, she did not use Meseberg as her own personal retreat, instead preferring to recharge herself at her country house in the Uckermark, an area of ​​Brandenburg state where she grew up.

Yet Merkel was keen to prevent the existence of the Schloss, however modest, from being interpreted by foreign leaders as a symbol of growing German geopolitical ambitions. To that end, government officials were encouraged not to designate the place as a castle, but rather as a Gästehaus, Die Welt reported at the time.

‘Haunted Castle

While Merkel invited leaders like George W. Bush and Emmanuel Macron to Meseberg, the castle has not seen much use over the years.

From 2015 to 2018, the castle was only used eight days a year on average, which includes two annual public events: an open house and a Christmas tree lighting ceremony, according to the government’s own accounts.

The lack of use reflects, to some extent, Germany’s continued reluctance to project a world power. And while it remains to be seen whether the next German Chancellor will use the place more, what has captured the most attention in Germany is a much more mundane question: the amount of taxpayer money spent on maintaining it.

According to the government, the operation of the pension costs 5 million euros per year. From 2015 to 2018, police surveillance alone cost 15.4 million euros.

An organization called the German Taxpayers’ Federation, which seeks to monitor government overspending, has included the Schloss in its so-called “black book” of public waste. “If the federal government wants to continue operating the castle, it should develop a concept on how it can be used more frequently in the future,” the association said.

There is, however, one constituency that has been particularly happy with the status quo. The people of Meseberg say their village has benefited enormously from improvements to local infrastructure as well as new jobs associated with the designation of the castle as the Chancellor’s Retreat.

“Seemingly overnight the village went from the Middle Ages to modern times,” said Bert Groche, who runs the local hotel recently.

Outside the village, however, there is significantly less enthusiasm.

“Meseberg is more of a haunted castle,” said Benjamin Strasser, a parliamentarian from the Free Democratic Party. “A guesthouse,” he added, “only makes sense if you use it.”

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Roblox: 10 best tycoon games https://darkholmekeep.net/roblox-10-best-tycoon-games/ https://darkholmekeep.net/roblox-10-best-tycoon-games/#respond Fri, 27 Aug 2021 23:45:00 +0000 https://darkholmekeep.net/roblox-10-best-tycoon-games/ Tycoon Games is a popular game genre in Roblox. There are games for all kinds of players, from running a tropical resort to your own supermarket. Start at the bottom and work your way up to the top of the management chain. RELATED: Roblox: The Most Expensive Clothes Here’s a handy list of the best […]]]>

Tycoon Games is a popular game genre in Roblox. There are games for all kinds of players, from running a tropical resort to your own supermarket. Start at the bottom and work your way up to the top of the management chain.

RELATED: Roblox: The Most Expensive Clothes

Here’s a handy list of the best Tycoon games you can play in Roblox in 2021. If you’re looking for codes for these games, be sure to visit our full list of codes for Roblox in August.

Tropical resort tycoon

Roblox Complex Tycoon

Tropical Resort Tycoon is one of Roblox’s most popular Tycoon games. You can build an entire complex with all kinds of buildings, vehicles, and challenges to complete. Take on challenges and earn cash to unlock new features for your resort.

The island is huge with a lot of land to explore and it’s up to you to develop yourself. Its new airport expansion includes two new vehicles and some changes, as well as the possibility of building an airport rescue station. Fire truck included!

Restaurant Magnat 2

Roblox restaurant tycoon

Restaurant Tycoon 2 is a regularly updated restaurant management game with all kinds of unique additions like the all new medieval update with skins and music.

You can serve all kinds of food that you (and your chefs) need to prepare yourself. Cook the best meals and your customers will stay happy. Definitely one of the best tycoon games, mainly thanks to its regular updates.

Retail Tycoon 2

Roblox Retail Tycoon Truck

Start with the smallest store in the area and decide what you want to sell. Organize your shelves, organize your merchandise, bring in workers, and watch your store grow.

The main objective of the game is to become the main retail mogul on the server, but you will be competing with other players for customers, so make sure you keep them happy. There are lots of different products for sale, from vegetables to televisions. It’s really up to you.

RELATED: Roblox: Best Games That Support Virtual Reality

Mall tycoon

Roblox Mall Tycoon Shop

This highly rated Roblox Tycoon game has everything you would expect from a tycoon game: customization, management, and plenty of ways to play. It’s your job to build the best mall in town. This game is a little different because you don’t just run a store, you run loads.

It’s not just about selling items, you also have to decorate the mall and keep your customers happy. Like all good Roblox games, there are many different cosmetic items to unlock for up to 12 unique floors in your mall. Your mall can be huge.

Anime tycoon

Roblox Anime Tycoon Conveyor Belt

Do you like anime? You will love Anime Tycoon. The objective of this game is to create the best collection of anime characters possible. Buy and sell characters to earn more money and expand your anime empire.

You can play as all your favorite anime characters like Deku, Goku, and Naruto. There are battles to be fought with NPCs to test the powers of your new characters with swords and magic.

Clone Tycoon 2

Roblox Motorcycle Clone Tycoon

This tycoon is a little different: your goal is to build an entire clone army. Upgrade, unlock new weapons and cosmetics, and send your troops to fight for you. This is one of the best Roblox shooting games if you also like playing tycoons.

Research is unlocked via a lab. Eventually, you can get your hands on stuff like rockets and airplanes, as well as a lot of different cosmetic items like capes and helmets.

RELATED: Roblox: Best Horror Games

GARAGES House Tycoon

Roblox House Tycoon Garages and Cars

House Tycoon is all about collecting as many glitzy sports cars as possible. Attach them to your house in a fancy garage and keep growing for more and more cars. You can customize your garage with a longer driveway, fountains, and even garage doors that open as you drive.

There are a lot of cars to choose from in GARAGES House Tycoon. Regular updates keep adding new unlockable cars so you never really run out of work to do.

Airport tycoon!

Roblox plane airport tycoon

Airport Tycoon is all about managing a huge airport. It is regularly updated with new planes, cosmetic items, and buildings to play with. You don’t just manage the airport, you can also fly planes to and from the airport for exciting adventures.

The latest updates to the game have added new planes, new attractions – like a boardwalk and a Ferris wheel – as well as exciting new places to visit in one of your own planes.

My zoo tycoon

Roblox Animal Shows

Zoo Tycoon lets you make displays for many cute animals, with over 20 different animals to choose from. There are lions, zebras, monkeys, penguins, loads of animals you would expect to see in a zoo.

Managing the zoo means keeping your visitors happy, hiring staff to take care of the animals and decorating the enclosures. You share the world with many other zoos, so you can always visit your friends for inspiration.

Roblox Apace helicopter next to a boat

Building a navy is no easy task, but Navy War Tycoon lets you take control of a massive fleet of ships to attack other players and their oil rigs. The main objective is to lead the biggest and fiercest navy in the server. Do you have what I take to be the best admiral?

First of all, you choose a nation. Then you start upgrading buildings and doing small raids with your fleet. Progress to a massive fleet of aircraft carriers and destroyers.

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